5 Ways the iPad Can Change Music

Apr 06 2010 Published by Jason Shadrick under Music Business

I am sure by now you all have heard of this cool little device that Apple released recently. You can easily do a quick search to find out all the opinions that the tech pundits seem to put out on a daily basis. One angle I haven’t read about is how this device can improve the lives of musicians. We all know that Apple changed everything with the iTunes store, but what about those of us who actually create music?

What has Steve Jobs done for us?

Well, I think the iPad (horrible name) is the best thing to come out of Apple for musicians ever. Yes, even better than the iPod.

Here are a few areas where I see a huge amount of potential in this device for both amateur and professional musicians.

Sheet Music Publishing

The biggest and most obvious area the iPad could be used is publishing sheet music. With the advent of the e-reader (Kindle and Nook), digital books are becoming more and more accepted. The issue with sheet music is that the screen has to be large enough so that you can see it while you are playing your instrument. There are some instructional music books on the Kindle, but it just doesn’t work. The iPad’s screen is in full color and large enough to set on a music stand and play from.

There needs to be a Netflix type program for sheet music on the iPad.  What if for 20 bucks a month you had access to the top 5,000 guitar tabs available?  They would be updated and changed each month but only available on your device. The legit guitar tab market has yet to be effectively monetized due to the logisitical and legal issues. Now is the time for this market to expand.

Making Practice Time More Efficient

How many times have you been practicing and became inspired to work on a certain piece and you didn’t have it with you? This has happened to me countless times and it becomes hard to carry all the essential books with you every time you go to practice.

What if you had access to all your music and videos while in your practice room?

Lets say you were working on the latest Satriani tune. There was a part you were stuck on, so you fire up your iPad, buy the tab and even see a short video of Satch playing it himself. Of course this would never replace formal one-on-one instruction, but for intermediate to advanced players it could be invaluable.

Right about now all the musicians born before 1981 are saying “ Why do you need all this fancy tech stuff to learn how to play?”

At one time, records, cassettes and radio (all used to help musicians become better) were considered “high-tech.” If everything we had today was available to you then, I guarantee you would be using them.

Live Performance

I have seen a few more progressive musicians use a computer in addition to their traditional rig of amps and effects. Although to me this is the least revolutionary item on this list, it is an important one.

We have all seen the cool music-making apps on the iPhone. I would love to see a version of GarageBand on the iPad. It doesn’t have to have nearly the functionality of the standard version, but it could be the best musical notepad ever. This could easily relay into using samples and loops from you device in live performance. It would be much easier to carry an iPad to a gig and it would mean more access to different sounds. If you are a traditionalist when it comes to tone, I doubt you would be even considering this anyway.

Educational Benefits

Arguably, everything on this list serves to better educate you as a musician. As a guitar teacher, having video, sheet music and audio files at the touch of a screen would make my life SO much easier.

Here is a scenario:

A student comes in wanting to learn the latest tune by band X, that of course you have never heard of. You fire up your iPad, you student signs into Hal Leonard’s sheet music store, you buy the tab and then begin to work on the tune right there. No more late nights transcribing and no illegal photocopies from the tab book at the guitar store.

You can then fire up YouTube and see exactly where the guitarist plays a certain lick or see what type of gear they use to get that tone.

Combine an iPad with a Fender GDec3 with some kind of wi-fi magic and the possibilities grow exponentially.

One iPad Per Student

Giving iPads to every middle school student will make them better students. Allowing them to learn about technology and research from a young age will make them better informed and it will give them a more global perspective of society.

This item isn’t so much specifically for musicians, but everyone should listen to more music and at least try to play an instrument, right?

If we factor textbooks into the cost of the device, the publishers could subsidize the cost and get their materials into the hands of a much larger student body. Each device will come pre-loaded with textbooks, apps and even special media that can be customized for each class. No more excuses for not taking notes in class.

In the end, this device will change the way we create, develop and consume music. Much like the iPod, there will be use cases developed for the iPad that we haven’t even considered.  This is all bleeding edge stuff, but with the right vision we can use technology to not only make this a better place, but make us better people.

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Umphrey’s McGee Gives Control to Their Fans

Sep 19 2009 Published by Jason Shadrick under Music Business

I just came across a post on the Umphrey’s blog about some new events they are planning called “Stew Art Series”.

S2_01

Here is the description of the events from the website:

An (S2) event is an experiment in crowd-sourced improvisation. One hundred percent of the music performed at a (S2) event will be improvised, and you are the ones who will serve as directors. Using several communication mediums - which could range from text messaging to prewritten cue cards to chalk boards - you will kick out ideas, descriptive words, phrases, pop culture references . . . pretty much whatever comes to mind. These will be presented to the band who will compose jams on the fly based around those ideas, and ideas will be added to, changed, and deleted as the event progresses. For instance, a fan might toss out the phrase “frightened rabbit,” causing the band the play a frantic, nimble jam and after a period of time, the word “rabbit” might get changed to “brontosaurus” which would take the jam in a heavy, slower direction (though the word “frightened” is still in play). Then perhaps the word “skydiving” morphs the “frightened brontosaurus” jam into a soaring, powerful piece of music that evokes the feeling of being airborne . . . until the phrase “without a parachute” gets tacked on which changes the jam into something else entirely. And so on. No one will have any idea where the music is headed, well, and that’s all part of the fun. The event will also include a Q&A session to provide an opportunity to ask about what you’re witnessing (or ask anything else for that matter). Fans will become a part of the music like never before.

To me this is a GREAT idea that I wish more bands and artists took part in.  Obviously, UM is an incredibly forward thinking band that really looks to push the envelope in order to give their fans the best and most unique experience possible.

Do you think this type of event could apply to different genres of music?

Can you imagine a jazz group using the audience as a source for raw material for their improvisations?  I think this would make the audiences feel more involved and make the live music experience more personable.  If bands want to get people to their performances in this day and age of so many distractions, they need to offer something new.

Well done Umphrey’s.  I look forward to seeing where you go from here.

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5 Links for the weekend

Sep 12 2009 Published by Jason Shadrick under Guitar

Thinking About a Bachelor’s Degree in Music Performance? – Dr. John Pisano writes a fairly informative article aimed at younger musicians who are thinking about obtaining a performance degree in college.  I don’t fully agree with some of the points Dr. Pisano makes, but all are worth considering.

Top Guitarists on Twitter – I wish I had the computer skills that Jon at Guitarnoize.com has.  He has put a great list together (even better than mine) of some of the top guitarists on Twitter.

Interview with Trey Anastasio from Time Out – If you haven’t picked up Phish’s Joy.  Do so now.  Probably their best studio album to date.

Changing the Size of Guitar  Chord Diagrams in Sibelius – Daniel Spreadbury writes a great blog on all things Sibelius.  I have been using Sibelius since college and have never regretted it.  Great software.

20 Things You Didn’t Know About the Beatles – It seems like there are a lot of Beatles things going on this week.  I figured I should add something to it.

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Group Music Blogging Event April 16th

Apr 11 2009 Published by Jason under Guitar

Via MusicianWages.com

MusicianWages.com, Music Careers at About.com and KnowtheMusicBiz.com are organizing a group blogging event for all music and musician bloggers. MW recently received a comment from a reader concerned about her teenage son’s file-sharing. We believe that this is a topic with as many answers as there are musicians and invite you to join us in a synchronized response.

If interested, please write a response to the following question and post it to your blog on April 16th, 2009.  Send an email to webmaster@musicianwages.com with the URL of your response and we will post a list with links to all of the participating blogs.

Suggested title: To a Mother Concerned About File-Sharing

I have a teenage son who tells me his pirating music is no big deal. Since he is a musician himself, I point out to him that someday that’s going to be his money people are stealing. But he remains unphased.

He tells me the record sales make money for the record label, not the artist. He says that the artists make all their money from touring and live concerts. He thinks the pirated music promotes the concerts and therefore helps the artist make more money. I still don’t allow pirating in my house.

But tell me what you think – as artists out there having your work “shared,” are you just glad to have it being enjoyed, or does it bother you? Admittedly, he is stealing music that is recorded by major record labels, so maybe its different than the independent musician working for his living. But I’d still like to hear what you think.

Thanks,
Valerie

I will be posting a response on the 16th.  Please pass this along to anyone you might think would like to take part.

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Grant Green Solo on “Cool Blues”

Mar 07 2009 Published by Jason under Guitar

Here is Grant’s Transcribed Solo

Grant Green is one of my biggest influences.  I first heard about him from my guitar teacher in college, who didn’t care for him too much.  I then was a casual listener until I became friends with Corey Christiansen.  Corey is the closest to a GG scholar that I have ever met.  He has literally written the book on Grant’s playing style.

This solo on “Cool Blues” was one I transcribed in college for a blues improvisation class.  It is a great example of Grant’s style in a medium blues setting.  I am a firm believer that nobody could touch Grant when it came to playing over a blues.

I also isolated some of Grant’s key phrases and wrote those out below

Grant Green Licks

Finally, one of my favorite (and only) videos of Grant.  Here is his playing with Kenny Burrell and Barney Kessell.  I love both Kenny and Barney’s playing, but on this tune neither one can touch Grant.

Grant Green Video

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