Austin Peay State University Guitar Workshop

Apr 05 2010 Published by Jason Shadrick under Guitar Lessons, Reviews

As you can probably tell if you have been to my blog before, I am a big fan of guitars and workshops. In my opinion, the benefit of being surrounded by like-minded guitarists for an extended period of time is invaluable. Even private lessons fall short because you are only exposed to one teacher. This year Austin Peay State University is holding their first annual summer guitar workshop and competition. Christopher Davis (who is finishing his Master’s Degree at APSU) forwarded me the info and it looks like it is going to be an amazing event.

The Facutly will include:

Stanley Yates

Stephen Aron

Richard Smith

Bill Pilburn

Roger Hudson

And several more.

This workshop will be focused on classical and fingerstyle styles and will be held on the campus of APSU from June 27 through July 3. Each day will be a mix of masterclasses, lectures, ensemble rehearsals and performances. The cost for the workshop is $550 for a residential student and $390 for a commuter student. I have been doing workshops and logistics for these types of events for years and I don’t think I have EVER seen a quality workshop that is this great of a deal. If you are considering going to study guitar in college, you MUST do everything you can to attend this workshop. I really wish I would of had something like this available to me before I started my freshman year at MSU.

I am sure my guitar teacher felt the same way.

(pic via Made Underground)

View Comments

Basic Arpeggios for Classical Guitar

Oct 28 2009 Published by Jason Shadrick under Guest Post, Guitar Lessons

This is a guest post from Christopher Davis, who is the editor of the Classical Guitar Blog.  The CG Blog is an amazing resource for both classical and wanna-be classical guitarists.  If you are interested in contributing a guest post, please contact me here.

Fingerstyle or classical guitar seems daunting at first.  Like any other style of guitar, however, the basics apply to everything.  The purpose of this article is to get you playing some beginning patterns with the right hand fingers.

The Basics

Right hand fingers are labeled with letters.

righthand

http://www.flickr.com/photos/matsuyuki/ / CC BY-SA 2.0

p=thumb, i=index, m=middle, a=ring, and c=little finger.

While playing fingerstyle it’s important to keep a generally straight right wrist.  Try this:  make a fist with your right hand.  Place the thumb along side the fist.  Then relax the hand and let the fingers curl gently, the wrist should drop a bit too.  That’s what your hand should look like on the guitar!  Just “freeze” the wrist/hand in place and play it over the strings.

Now place p on the fifth string, i on the third, m on the second, and a on  the first.  This is home position.  Just like with the left hand, the right hand use is limited mostly to the fingertips.  Avoid putting  the fingers too far back and having the strings touch in the pad of the fingers.  Here’s a few photos of my right hand in home position to give you an idea.

RightHand1

RightHand2

Now Make Some Noise

So far we’ve covered the basics:  finger labeling, the wrist/hand, and home position.  Now make some noise.  Keep your thumb in place on the fifth string.  Now snap all the fingers off the strings, and bring them back into the hand.  That is, play the strings, but curl the right hand fingers into the hand — it’s the same motion as making a first.

Do this exercise a few more times to get a feel for it.  This motion of the fingers back into the hand is the norm for all right hand playing.  When you’re just starting with fingerstyle playing, it’s better to exaggerate the motions at first, and work on refining and shrinking them down later.

Some Basic Right Hand Patterns

First, a word on planting or preparation.  It’s very hard for a right hand finger to miss a string if it’s already on it.  That’s the idea behind preparing or planting the right hand fingers.  As the following patterns move up the strings (going from the lowest string to the highest), we’re going to do a full plant.  At the start of each arpeggio all the fingers are on the strings.  Some of the pattern move back down the strings, in these cases work on bring the finger back to the string right before it plays.

p i m

Plant/prepare the thumb, index and middle fingers on strings 3, 2 and 1 respectively.  Now peel them off one at a time.  Or…

  1. Plant all the fingers
  2. Play p
  3. Play i
  4. Play m
  5. Return all the fingers to the strings and start over

pim

p i m i

Plant/prepare the thumb, index, and middle fingers on strings 3, 2, and 1 respectively.  This pattern is a little bit different, as it requires the index to return alone before it starts over.

  1. Plant all the finger
  2. Play p
  3. Play i
  4. Play m, while m plays return i to the second string
  5. Play i
  6. Return all the fingers and do it again

pimi

A great practice method for this arpeggio is to just do steps one through four, then stopping.  This just practices the return of i to the string, one of the things students have the most trouble with.

Eventually the beat of planting is combined with the thumbs motion.  This would turn the p i m arpeggio into…

  1. Plant all the fingers
  2. Play p
  3. Play i
  4. Play m
  5. p plays, i and m return to the strings and the arpeggio starts over

pim2

pimi2

Playing fingerstyle for the first time always feels awkward.  But just checking out some videos of great classical or fingerstyle guitarists leaves no doubt that fingerstyle players can be just as capable and virtuosic as the usual guitar icons.  Some right hand chops will only add to your skill as a guitarist.  Good luck! and thanks for reading!

View Comments

12 Websites That Will Make You A Better Musician Part One

Dec 31 2008 Published by Jason under Guitar

Over the last few years I have found that the Internet is a great resource for developing musicians.  In grad school at the University of Northern Iowa I found it to be invaluable to practice in front of my computer.  Here are some websites you should check out to help make your practice time more effective.

In no particular order:

  • eMusic – eMusic is an invaluable resource for affordable DRM free music.  As a jazz major in college, it was very useful to use eMusic to find rare and hard to find tracks for transcription, study and analysis.  No other online music resource has as deep of a jazz catalog as eMusic.
  • I Was Doing Alright Ear Trainer -  This is a great Java based ear training application aimed at not only learning intervals and chord types, but chord progressions, jazz scales and even blues and rhythm changes.  This website was developed by a trumpet player from Atlanta who happens to be a web developer.  Easily one of the best free ear trainers I have ever seen.
  • Ricci Adams’s Music Theory – Ricci Adams’ Music Theory website is a great place to start learning the nuts and b0lts of how music works.  Covers scales, chords, intervals, progressions and a lot more.
  • Pollstar – I would also recommend JamBase – The reason we all are musicians is because we had a meaningful live music experience.  GO SEE LIVE MUSIC!
  • Eythorsson – A great site for free high quality PDF’s of classical guitar literature.  I know many of you are not classical players, but being able to read music and play without a pick are important skills to have no matter what style you play.
  • Online Metronome – Use it.  Seriously.
  • How to Transcribe – A great article on the basics of transcription.
  • Blank Music Paper – A great site for different formats of blank sheet music.   Reading music is such a valuable skill.  I didn’t know how valuable it was until after I could read.

Part two coming soon.

Reblog this post [with Zemanta]

View Comments