Archive for: November, 2009

7 Questions with Jeff McErlain

Nov 25 2009 Published by Jason Shadrick under 7 Questions

Jeff McErlain

I first met Jeff a few years ago when he returned to teaching at NGW after a bit of a hiatus.  There are few musicians around that are as versatile as Jeff.  As you can tell from his website (jeffmcerlain.com) he is a very busy guy.  You can usually find him teaching, performing and producing in and around NYC.

Describe your first experience playing music.

My first live gig was a nightmare that makes for a great story. We were playing a school gym doing  poor covers of Iron Maiden and Ozzy tunes. The “singer” was really nervous as we we all. For some unknown reason he kept spraying Chloroseptic down his throat and was on his knees punching himself in the stomach trying to hit the high notes. He then went off stage and threw up. I couldn’t make that up.

What has been your most significant musical experience?

There are so many but I would have to say my first tours with a band called Liquid Hips.  I was 23 and we went to Europe a number of times. We did quite well over there for a while. I was the youngest guy in the band and the others guys were way more experienced than I was. They were grizzled touring cats and I was as green as you could get, I am sure I was very annoying actually!  It was really painful at times often being the weakest link in many ways but it sure made me better. I had my butt handed to me a number of times. I now always try to play with people who I think are better than me, it keeps me on my toes and pushes me to evolve.

What is the best advice on pursuing a career in music you were ever given?

It was from George Burns “Don’t leave your wallet in the dressing room.”  Also as I said in the last question, try to play with people who challenge you.

What is your favorite sound?

Well besides a Strat through a cranked 1967 100 watt Marshall plexi through 8 12″ Greenbacks, and my son laughing, I’d have to say someone doing their own thing. We talk about Clapton, Page, Miles, Hendrix, Coltrane, etc… All these guys had their own voice and worked their asses off. I love hearing that from a player, when you can hear the time, dedication, and love they have for the instrument.  When you can hear them as a person, when the instrument is just an extension of who they are, not an impersonation of someone else. That actually carries through to many other things as well like art, film etc. The sound of a master.

Name some of your biggest non-musical influences.

My Uncle Angus, I worked on his sheep farm in Scotland as a kid one summer. I was about 13 doing all sorts of stupid stuff so my mother shipped me off to Scotland because she was a single working mom. He taught me what work was, here I was this kid from NJ put on a farm where I had to shear sheep, clean out stalls, walk miles a day, tag sheep, milk goats, etc. I am paraphrasing due to his salty language “Stop complaining and do it”. It is often hard to remember that lesson but it is true across the board. Apart from him, my family, my students, Monty Python, and Woody Allen.

What is the most memorable concert you ever attended?

I’d love to give a  guitar geek answer but I’d have to say U2 on the Elevation tour. It was simply the absolute best concert I have seen, I had a great time and it amazed me that almost every song they played was a hit, they were amazing, tight, fun, and exciting. Bono connected with an audience like no one I have ever seen, and this was Madison Square Garden. Granted I had great seats…I think what struck me most was I wasn’t too much of a fan before that now I am. A close second was my favorite musician Tom Waits.

Put your iPod on shuffle and name the first 5 songs that come up.

Chalk – Buddy and Julie Miller
Cemetery Polka – Tom Waits
Emerald – Thin Lizzy
Cream – Meet Me At the Bottom ( bootleg from Klooks Kleek a must have)
Oazaca – Daniel Lanois

Make sure to check out Jeff on Twitter (@jeffmcerlain) and on YouTube

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Review: 50 Jazz Guitar Licks You Must Know

Nov 17 2009 Published by Jason Shadrick under Guitar, Reviews

50JazzLicksYouMustKnow

Truefire.com contacted me recently and asked if I would be interested in reviewing one of their products. They sent me 50 Jazz Licks You Must Know by guitarist Frank Vignola. I have seen some of Truefire’s earlier material and thought they were cool, so I agreed to check the new stuff out.

The whole idea behind the “50 Licks” series (which also comes in blues, rock, acoustic and country) is to give you some solid vocabulary that you are able to inject into your own playing very quickly.  Frank Vignola is an excellent player and is able to dissect and explain each lick and give context to the phrases. Each lick is grouped by tonality (Major 7th or Minor 7th licks etc..), application (such as Jazz-Blues), and even some more complete ii-V7 licks that would be great not only for developing your vocabulary, but also becoming more comfortable with the fretboard by moving the licks to different keys.

50LicksScreenshot

Vignola demonstrates each lick at a moderate tempo. Along with the video, both PDF and Powertab files are provided.  Once you have the fingerings down, a jam track is provided for you to practice along with.  It is good to hear that Truefire didn’t use canned MIDI backing tracks for these.

Overall I think the 50 licks series is a solid product.  This is a great product to jump start your playing or to broaden your knowledge of a certain genre.  However, there are a few thing I think TrueFire could improve.  The first one is PLEASE ditch the PowerTab.  Every lick is tabbed out in PDF and demonstrated.  I didn’t find any need for the PT files.

The other issue I had was with how the licks were grouped. It would be more helpful if they were grouped by key in addition to context.  Both of these issues are really minor and don’t really take anything away from the product.

As I was working with this DVD, I thought about some ways a student could get more out of this. Here are some ideas:

  • Write out a composed solo or etude with the ideas presented in the DVD. This will give you practice not only with the compositional process, but it will allow you to internalize the licks easier. It would be great if TrueFire included a couple of these with each course.
  • Take one phrase and write as many variations as you can. Change the rhythm, key and context and pretty soon you have an entirely new phrase that is your own.

If you have any ideas on how to make instructional products more helpful, I would love to hear them in the comments below. Take a minute and check out all the other instructional DVD’s and guitar lessons at TrueFire.com

Here is a video of Frank Vignola and Bucky Pizzarelli playing Limehouse Blues:

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Kirby Kelly Wins Guitar Center’s King Of The Blues

Nov 16 2009 Published by Jason Shadrick under Guitar, Video

Kirby Kelly has been involved with NGW for quite a while.  Recently, he entered the Guitar Center King of The Blues Competition and made it all the way to the finals.  A good friend, Pauline France (@paulinepr) was there covering the event for iHeartGuitar and texted me the news that Kirby had walked away with it all.

I couldn’t think of a more deserving musician than Kirby. As you can tell by the video above, he is a pretty bad ass guitar player.  Surely, this will bring Kirby some more well deserved attention.

He deserves it.

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7 Questions with Amanda Monaco

Nov 12 2009 Published by Jason Shadrick under 7 Questions

Amanda Monaco is a jazz guitarist based out of NYC.  I first met her one summer at NGW where she is a faculty member (and before that an intern and alum).  She recently completed the NYC Marathon and is playing and teaching all over the place.

Make sure to check out her blog and website at www.amandamonaco.com

AmandaMonaco

Describe your first experience playing music.

The first band I played in was called “The Dimensions” and we played pop tunes from the 50s and 60s – everything from Booker T. and the MGs to Wilson Pickett. The lead singer had a bad perm that made her look like a poodle, and no stage presence whatsoever (I think she was only doing the gig because her boyfriend, the drummer, insisted), but she could sing ok, and the other guys in the band were really into it so it was still a lot of fun. We played every weekend – everything from private parties (including a christening for a little Mafia baby in New Haven) to cruise nights in the parking lot of a restaurant in mid-state Connecticut.

What has been your most significant musical experience?

There’s been so many, but the first one that comes to mind is this: there was one Rosh Hashanah and Yom Kippur where I was playing services with a quartet (organ, guitar, cello, percussion) and the organist, who had been playing the services for 15+ years, had taken the music to the next level in terms of spiritual meaning through this intense musical expression. There was plenty of room for improvisation, stretching the limits of the liturgy, tons of freedom within what is normally looked upon as more of a somber occasion; at one point the congregation was praying/dancing in the aisles (literally!) which one might expect at a gospel church, but not the norm at a shul…It was such a moving experience that it completely changed the way I play music in every situation since; it took the petty anxieties away and gave music a meaning that could be compared to prayer.

What is the best advice on pursuing a career in music you were ever given?

Play as much as you can with as many people as you can.

What is your favorite sound?

Music that feels so good it makes you smile so much it hurts and makes you feel that these sounds can truly change the world.

Name some of your biggest non musical influences.

Training for the NYC Marathon has taught me a lot about endurance, pushing oneself past what was thought possible, setting goals, humility, and patience.

What is the most memorable concert you have ever attended?

John McLaughlin and Zakir Hussein at the Montreal Jazz Festival in 2007. “You Know You Know” played in a duo setting; Shakti redux; so much joy and inspiration flowing through these incredible musicians. The crowd roared for 30 minutes just to get an encore, which they did.

Put your iPod on shuffle and name the first 5 songs that appear.

“Just Squeeze Me” – Ella Fitzgerald with the Duke Ellington Orchestra
“I Walk The Line” – Johnny Cash
“String Quartet #6” – Bela Bartok
“My Girl” – The Temptations
“Fried Pies” – Wes Montgomery

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7 Questions with Jason Vieaux

Nov 05 2009 Published by Jason Shadrick under 7 Questions

JV White shirt seated 4

Describe your first experience playing music.

My first experiences playing music were my goofing around with my first guitar at 5, guitar/theory lessons when I was six, recorder ensemble during my elementary education. But my first musical EXPERIENCE was putting on records by The Beatles, Wilson Pickett, Aretha, Eddie Floyd, Credence, Ahmad Jamal, Ken Nordine,Kai Winding, Chico Hamilton, Bay City Rollers, many others, between 3-5 yrs of age. That was my favorite activity, and probably still is.

What has been your most significant musical experience?

Probably the answer to question #1. Or when I heard the White Album

at age 6. Or hearing David Russell in concert when I was 14.

What is the best advice on pursuing a career in music you were ever given?

My teacher, John Holmquist, when I was a student at CIM: “Music Business is two words”, and “Never play your music faster than your ability to articulate it clearly to your listener”. That 2nd quote is a very important lesson for the aspiring professional guitarist that perhaps more guitarists could take to heart.

What is your favorite sound?

Too hard to answer, but at least this week it’s Bernard Purdie playing drums on “Caves of Altamira”. Name some of your biggest non-musical influences. My father: “even if this doesn’t become your job, you can always come home from work and play guitar for your own enjoyment” (he told me this when I was 11) and “even if there’s 1 person in the audience, you should play for that person, because they came to hear music” (when I was about 12).

What is the most memorable concert you ever attended?

Aforementioned D Russell concert, Julian Bream in ’88, Cleveland Orchestra Mahler 2nd 1999, Mitsuko Uchida in Philly playing a Mozart Piano Quintet 2000?, Keith Jarrett, Pat Metheny trio setting and with Gary Burton. Too many, I know.

Put your iPod on shuffle and name the first 5 songs that come up.

No iPOD, but since we’re talking “pop” songs…this week only,

don’t get it twisted…

- electric relaxation, a tribe called quest

- refuge of the roads, joni mitchell

- black cow, steely dan

- death of auto-tune, jay-z

- bleed, meshuggah

Keep up with Jason at www.jasonvieaux.com

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