Archive for: October, 2009

Basic Arpeggios for Classical Guitar

Oct 28 2009 Published by Jason Shadrick under Guest Post, Guitar Lessons

This is a guest post from Christopher Davis, who is the editor of the Classical Guitar Blog.  The CG Blog is an amazing resource for both classical and wanna-be classical guitarists.  If you are interested in contributing a guest post, please contact me here.

Fingerstyle or classical guitar seems daunting at first.  Like any other style of guitar, however, the basics apply to everything.  The purpose of this article is to get you playing some beginning patterns with the right hand fingers.

The Basics

Right hand fingers are labeled with letters.

righthand

http://www.flickr.com/photos/matsuyuki/ / CC BY-SA 2.0

p=thumb, i=index, m=middle, a=ring, and c=little finger.

While playing fingerstyle it’s important to keep a generally straight right wrist.  Try this:  make a fist with your right hand.  Place the thumb along side the fist.  Then relax the hand and let the fingers curl gently, the wrist should drop a bit too.  That’s what your hand should look like on the guitar!  Just “freeze” the wrist/hand in place and play it over the strings.

Now place p on the fifth string, i on the third, m on the second, and a on  the first.  This is home position.  Just like with the left hand, the right hand use is limited mostly to the fingertips.  Avoid putting  the fingers too far back and having the strings touch in the pad of the fingers.  Here’s a few photos of my right hand in home position to give you an idea.

RightHand1

RightHand2

Now Make Some Noise

So far we’ve covered the basics:  finger labeling, the wrist/hand, and home position.  Now make some noise.  Keep your thumb in place on the fifth string.  Now snap all the fingers off the strings, and bring them back into the hand.  That is, play the strings, but curl the right hand fingers into the hand — it’s the same motion as making a first.

Do this exercise a few more times to get a feel for it.  This motion of the fingers back into the hand is the norm for all right hand playing.  When you’re just starting with fingerstyle playing, it’s better to exaggerate the motions at first, and work on refining and shrinking them down later.

Some Basic Right Hand Patterns

First, a word on planting or preparation.  It’s very hard for a right hand finger to miss a string if it’s already on it.  That’s the idea behind preparing or planting the right hand fingers.  As the following patterns move up the strings (going from the lowest string to the highest), we’re going to do a full plant.  At the start of each arpeggio all the fingers are on the strings.  Some of the pattern move back down the strings, in these cases work on bring the finger back to the string right before it plays.

p i m

Plant/prepare the thumb, index and middle fingers on strings 3, 2 and 1 respectively.  Now peel them off one at a time.  Or…

  1. Plant all the fingers
  2. Play p
  3. Play i
  4. Play m
  5. Return all the fingers to the strings and start over

pim

p i m i

Plant/prepare the thumb, index, and middle fingers on strings 3, 2, and 1 respectively.  This pattern is a little bit different, as it requires the index to return alone before it starts over.

  1. Plant all the finger
  2. Play p
  3. Play i
  4. Play m, while m plays return i to the second string
  5. Play i
  6. Return all the fingers and do it again

pimi

A great practice method for this arpeggio is to just do steps one through four, then stopping.  This just practices the return of i to the string, one of the things students have the most trouble with.

Eventually the beat of planting is combined with the thumbs motion.  This would turn the p i m arpeggio into…

  1. Plant all the fingers
  2. Play p
  3. Play i
  4. Play m
  5. p plays, i and m return to the strings and the arpeggio starts over

pim2

pimi2

Playing fingerstyle for the first time always feels awkward.  But just checking out some videos of great classical or fingerstyle guitarists leaves no doubt that fingerstyle players can be just as capable and virtuosic as the usual guitar icons.  Some right hand chops will only add to your skill as a guitarist.  Good luck! and thanks for reading!

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7 Questions with Laurence Juber

Oct 27 2009 Published by Jason Shadrick under 7 Questions

Describe your first experience playing music.

I got my first guitar for my 11th birthday. It was a cheap flattop with a bolt-on neck and a floating fingerboard.

I had to stuff cardboard under the fingerboard extension to make the action playable. There was a book called “Play In A Day” by Bert Weedon, a well-known British guitarist.

It had the melody of “When The Saints Go Marching In” written in notation – there was no tablature in those days. One rainy Winter afternoon I figured out how to read it.

What has been your most significant musical experience?

Career-wise, I’ll have to say playing with McCartney, but that really was part of a much larger musical experience. I try to play in the ‘musical moment’, so each performance can be significant.

What is the best advice on pursuing a career in music you were ever given?

I realized at around age 13 that I wanted to make a living being a guitarist, so that became an all-consuming passion. It was a time and an environment where there were constant opportunities and developing the skills to be a pro came naturally to me. I didn’t truly learn about the business of music until much later. The best piece of musical advice came from an old school jazz guitarist who told me to play ‘big notes’.

LaurenceJuber

What is your favorite sound?

The voice of the guitar itself – there’s a sweet spot where the instrument sings and everything resonates. It moves depending on the style, the tune, the kind of guitar, but it’s there on acoustic and electric. Think of Clapton’s tone on ‘Hideaway’ or Django on anything.

Name some of your biggest non-musical influences.

My wife Hope, who helps me focus my creative imagination. Various teachers of Alexander Technique and meditation. Comedians and actors – performers who communicate with humor and drama.

What is the most memorable concert you ever attended?

Jimi Hendrix at the Albert Hall in 1968. He played there twice in one week – the second was filmed, but the first was magical. He played ‘Red House’ on a white SG custom. Second was the Cream farewell concert. Third place goes to lutenist Paul O’Dette who played at a church in West London in the early 70′s. I had never heard notes spinning out of an instrument with such liquidity.

Put your iPod on shuffle and name the first 5 songs that come up.

The Beatles – All My Loving

Bix Beiderbecke -Davenport Blues

Van Morrison – Astral Weeks

Dave Matthews – Shake Me Like A Monkey

Billy Holiday – Stormy Weather

Visit Laurence at www.laurencejuber.com

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Interview With National Guitar Workshop Founder Dave Smolover

Oct 26 2009 Published by Jason Shadrick under NGW, Video

I have been involved with NGW since 2004 when I worked as a Traveling Residential Advisor in order to fulfill an internship requirement for my Music Business Degree.

This past spring, we made some promo videos featuring our alumni and faculty.  Personally, my favorite videos were the ones with Dave Smolover.  Dave began the National Guitar Workshop in 1984 and since then has branched out to DayJams, National Guitar Workshop Publications and WorkshopLive.

Below are the three parts of the interview we filmed.  Even with working with him for as long as I have, there was some new information.  Please take a minute and check them out.

Part Two:

Part Three:

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My Email Newsletter

Oct 24 2009 Published by Jason Shadrick under Music

Some of you might have noticed that I have started an email newsletter here on the blog.  The content of the newsletters will be different than the blog and with each issue I hope to give you something of value.

If you have been enjoying this blog, then I would encourage you to sign up for the newsletter.  You can do so on the right hand side of this page.

If there is anything you would like to see covered in the blog or newsletter, please let me know here.

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7 Questions with Will Lee

Oct 22 2009 Published by Jason Shadrick under 7 Questions

WillLee

Describe your first experience playing music.

My first experience really playing was going to my drum kit that my dad had bought me (an old Leedy kit, made by Ludwig  with WFL snare) immediately following the Beatles’ first performance on American TV on Feb 9, 1964. I had not been inspired to play anything in particular until that moment, and suddenly I was digging in like my life depended on it!

What has been your most significant musical experience?

That live TV broadcast was the seminal one for me, but the one that made me decide to go on living when I was at my most down-moment was hearing Ivan Lins sing “Daquilo De Eu Sei” for the first time (the original version on the Philips label). It was transcendental.

What is the best advice on pursuing a career in music you were ever given?

To focus on playing one instrument- bass!!

What is your favorite sound?

I think it would be the sound of natural water movement; waterfalls, ocean waves, rivers & streams, etc.

Name some of your biggest non-musical influences.

I like to give credit to anybody with  positive message. That would include people like Jesus, Deepak Chopra, Louise Hay, Krishna, Tony Robbins, Ghandi, Obama.

What is the most memorable concert you ever attended?

Brian Wilson’s band of the last few years has been mighty impressive, from a perspective of well-played parts & great singing. Also there have been some Tower Of Power performances that I have seen over the years that were so funky, it smelled like something the cat dragged in!!

Put your iPod on shuffle and name the first 5 songs that come up.

1. “Song of The King” from Rogers & Hammerstein’s “The King & I”

2. “Respect” by Otis Redding

3. “All You Need Is Love” by the Beatles

4. “Pamela” by Toto

5. “Driftin’” by Will Lee (Wow, that’s embarrassing, except that Jeff Beck is on the track!!)

Visit Will at www.willlee.com

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