I just booked Pat Martino for a clinic at our McLean, VA campus. He is going to be a guest in Tom Dempsey’s Giants of Jazz Seminar. Pat will be available for private lessons while he is on campus as well.
I think our jazz lineup this year for National Guitar Workshop will be the strongest it has been in a while. For our Jazz Summit we are looking to have a LEGENDARY guitarist who hasn’t been to the east coast in close to ten years. Look for that announcement soon.
Since the NAMM Convention is coming up, I thought Derek Siver’s article on attending a music conference is very timely.
I get asked by students all the time about how to find the right teacher. This article does a great job explaining how to do that.
The Farewell Show – David LaMotte is a great friend and singer/songwriter from North Carolina. In college I did an internship with his indie record label and that experience was invaluable. He recently retired from playing music for a living and is moving with his wife and newborn son to Australia to work on a Master’s Degree.
Anything by Seth Godin – Seth has one of the most read business and marketing blogs around. Extremely interesting stuff.
For those of us who use Twitter (I am @guitarworkshop), TwiTip.com is a great blog by Darren Rowse that is full of useful advice to get the most out of Twitter.
This weekend I will post some CD reviews of some of my favorite CD’s of 2008. It seems like the most popular posts on here are the ones that include downloads of my worksheets I use for lessons. Hopefully I can get a few of those done while I am away on vacation with the family in a few weeks.
Please leave a comment and let me know how you like the articles.
I don’t remember the first time I heard Pat Metheny‘s music, but I do remember the first time I “got it”. I was in a used CD store in Asheville, North Carolina when I saw a used copy of Pat’s “Question and Answer” album.
I went back to my room and put on the only track whose title I had heard of before. “All The Things You Are” was so amazing, I froze there listening to it and replayed it about 6 times before I had to turn it off to process what I had just heard.
Come to find out later that this was Pat’s return to a trio format and he couldn’t of found a better rhythm section than Dave Holland and Roy Haynes who give absolutely unbelievable performances.
I had never heard any musician have such a complete mastery over rhythm, harmony and melody in improvisation. This lead me to get more albums by Pat, Dave and Roy and get deeper into the language of Jazz.
After hearing more of the Metheny catalog, I found that I enjoyed his trio albums more than those of his larger “Pat Metheny Group” ensemble.
It wasn’t until the summer of 2008 that I actually had a chance to see Pat perform live. It was during the National Guitar Workshop’s Jazz Summit in New Milford, CT. This performance included John Patitucci and Antonio Sanchez, who for the last few years has served as Pat’s drummer of choice.
I was able to meet the group before the clinic started and they were all very down to earth people. The format was going to be an “open rehearsal” where Pat would pass out some music and they would work through it.
For sound check they played “All The Things You Are” and it immediately took me back to that first time when Pat’s music first opened my eyes. It was just as fresh and inspiring as it was that afternoon in Asheville.
After the clinic, I spoke with Pat and he told me that this was the first time that he had played with John and Antonio in a trio.
Parker updates (if you are into super cool babies) are here.
I have posts developing (although they are still in my head) about Pat Metheny, Kurt Rosenwinkel and my upcomming trip back to Anaheim and the NAMM convention.
Also, I have been developing a social network website for students, faculty, alumni and people who are just interested in the National Guitar Workshop.